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Which statement best explains why Robert Fenton took pictures of the battlefield after the battle?

A. Robert Fenton was inspired by the Civil War photographer Mathew Brady.
B. Photography was still new, so the uses of photography were not clear.
C. The earliest cameras took only black and white photographs.
D. Early cameras could only capture very still scenes.

Answer :

The statement that best explains why Robert Fenton took pictures of the battlefield after the battle and not in the middle is because (D) Early keepers could only capture very still scenes.

Roger Fenton's Crimean War photo series is the first historic attempt to portray a war campaign. Fenton spends March-June 1855 in Crimea as an official campaign photographer, paid by the British government.

These records never managed to capture battles, explosions, devastations, wounds, blood and tears, partly due to the limitations of photographic techniques of the period.

Action photographs were impractical in the field: The problem with instant photography at the time was that it required faster-acting chemicals which were very sensitive and would not travel well. The size of the cameras also made combat photography next to impossible.

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Rewritten by : Jeany

Robert Fenton and other Civil War photographers took pictures after battles because photographic technology at the time could not capture movement, leading to still images that showed war's aftermath and impacts realistically.

The best explanation for why photographers like Robert Fenton took pictures of the battlefield after the battle during the American Civil War is because the photographic technology at the time was not advanced enough to capture moving scenes. The cumbersome equipment and the need for immediate development of the photographic plates in specially outfitted wagons meant that photographers could only document still scenes, such as the aftermath of battles. This resulted in images that conveyed the sobering effects of war to the public, who had not been exposed to such realistic portrayals of war's destruction previously. Photographers like Alexander Gardner and Mathew Brady, who are considered pioneers in photojournalism, captured these scenes to depict the real cost of conflict.