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In Sherman's Fairy Tales series, some of the characters she portrays are grotesque and somewhat scary, but she strategically gives these characters human characteristics. Why does she do this? Consider Untitled #156.

Answer :

Final answer:

Sherman gives grotesque and somewhat scary characters human characteristics in her Fairy Tales series to connect with audiences, provoke introspection on prejudices and societal constructs, and explore the themes of beauty, morality, and the duality of human nature.

Explanation:

In Sherman's Fairy Tales series, characters that are grotesque and somewhat scary are given human characteristics to achieve a deeper connection with the audience, encouraging reflection on what constitutes monstrosity and humanity. This technique is prominent in works like Untitled #156, where the blend of human traits with monstrous or grotesque elements provokes introspection on our own fears, biases, and the concept of 'the other'. By anthropomorphizing these characters, Sherman invites viewers to consider their own prejudices and the artificiality of societal constructs regarding beauty, morality, and normalcy.

For instance, in fairy tales, the transformation of characters from grotesque to beautiful, as seen in the transformation of Chonguita, underscores the theme that true beauty and virtue are not always visible on the surface. This notion is mirrored in Sherman's work, which juxtaposes the grotesque with the familiar to challenge and expand our understanding of beauty and virtue. Additionally, employing human characteristics in monstrous figures could reflect on the duality within ourselves and the unsettling thought that there is a part of the 'monstrous' in everyone, urging a reconsideration of the quick judgments we often make based on appearances.

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Rewritten by : Jeany

Sherman's Fairy Tales series is a body of photographic work by American artist Cindy Sherman, where she portrays various characters and explores themes related to identity, gender, and societal norms.

The series often features characters that are grotesque or unsettling in appearance, but Sherman imbues them with human characteristics for a specific purpose. In relation to Untitled #156 or other similar works, Sherman's intention in giving these grotesque characters human characteristics is likely to challenge societal expectations and stereotypes. By blurring the lines between the real and the surreal, Sherman prompts viewers to question their preconceived notions of beauty, normalcy, and identity. Sherman's use of human characteristics in her grotesque characters serves as a means of humanizing them, allowing viewers to empathize or connect with these unconventional personas. By doing so, she subverts traditional beauty standards and challenges the often narrow definitions of attractiveness prevalent in society. Additionally, Sherman's strategic approach may aim to highlight the artificiality and constructed nature of identity. By creating characters that appear strange or even eerie, she draws attention to the performative aspects of gender and identity, emphasizing how individuals often adapt and present themselves differently in various social contexts. Overall, by giving grotesque characters human characteristics in her Fairy Tales series, Cindy Sherman challenges societal norms, explores the complexities of identity, and invites viewers to critically examine their own perceptions and judgments of beauty and normalcy.

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