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The term 'retablo' describes an altarpiece ensemble in religious art and architecture, characterized by a series of ornate panels that serve as the backdrop for an altar. These elaborate works, often in the Churrigueresque style, are notable for their intricate carvings and paintings, and were particularly prominent in Mexican Baroque artwork.
Explanation:
The term retablo is commonly used to describe an altarpiece ensemble in the context of religious art and architecture. A retablo typically consists of a decorated panel or series of panels placed behind an altar in a church.
These panels can include paintings, carvings, and sculptures that create a complex and often highly ornate backdrop that complements the religious practices occurring at the altar.
Retablos became a significant feature of Mexican Baroque artwork and can be quite grand and lavish, emphasizing the style known as Churrigueresque.
The Altar de los Reyes in the cathedral mentioned in the reference is a prime example of such a work, stretching 25 meters high with a 7.5 meters depth, filled with niches featuring royalty and saints in detailed wood sculptures and paintings. This sense of grandeur and rich ornamentation is a characteristic of retablos that separate them from other religious art forms.
During the colonial period in Latin America, indigenous artists, skilled in woodcarving, had a major role in creating these altarpieces, showcasing the blending of European religious traditions with local artistry. Their work was highly valued and became an integral part of church interiors throughout the region.
Despite threats like earthquakes, which destroyed many original retablos, the significance and influence of these altarpieces remain evident in the surviving examples and the continuing tradition of their use in religious settings.
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